Well, this is a delightful surprise.
Springsteen's first European tour culminates in a breathtaking return to London's Hammersmith Odeon for a 22-song set that is one of the standout shows on the Born To Run tour. London 11/24/75 features eight changes from opening night at Hammersmith six days prior, "Growin' Up" plus seven covers: "Pretty Flamingo," "Sha-La-La," "Wear My Ring Around Your Neck," "When You Walk In The Room," "Twist And Shout," "Carol" and "Little Queenie." Outstanding versions of "Thunder Road," "Lost In The Flood," "It's Hard To Be A Saint In The City, "For You" and "Quarter To Three" round out this triumphant performance.
I am listening to this show since Friday and am really loving it, and I am also thinking about what makes 1975 shows such a different experience. There's something transient about Bruce, something naughty in his voice and there's the eager attitude... Maybe it is just his youth or the strong Jersey/NY accent that makes Bruce sound more like a character playing a role on stage than the actual Bruce person being present there at the time?
I feel like this process continued throughout the Darkness tour, and he finally formed the stage Bruce we know during the River tour? I feel like listening to one of his sub-characters and am I'm having such fun getting to know this young fella.
The Pretty Flamingo intro - when he is explaining what had happened after the two years - I start laughing every time.
Also, I'm not clever enough to point out what exactly produces that distinctive 70's sound, but it's there, so splendid.
I don't usually bother with these archive shows, I know it's an unpopular opinion round here but, generally speaking, I am happier listening to the studio albums, the exception being for shows I was at - I love reliving those moments. However, having seen the set list, read your comments and read @Mario Brega's review, I decided to go for this one.
It is just wonderful, can't think of anything else to add.
I like the one guy who recognises Pretty Flamingo from the opening organ riff.
This release is fantastic. Everything about it. Setlist, performance, he's on and so is the band. This one is now in the top 5 of all time for me. Just unreal.
Then you add Sandy and For You. two songs from '75 that never really connected for me. But now. OMG so good.
The first Hammersmith concert is my go to '75 live release. I prefer that focused "down to business" approach over the "loose" US leg performances where he "fools around" and more or less preach to the choir. For that reason I am a little on the fence about buying this archive release.
Just finished listening to it for the first time all the way through. I mean, this is insanely good. 'For You' is stunning, the encores are wild (this 'Quarter To Three' just made me get up and dance for a bit alone in my room... how sad is this? 😂) and the performances are so, so good. They're so loose and focused, it's wild!
Well, he did claim that someday we'd look back at it and it would all seem funny.
I'm laughing at how good this one is.
Love how Little Queenie starts off quite fast and then slows down to a real good
Just an ESB Rock and Roll fun house ..... An absolute murderers row of all time great Bruce covers ...Thanks for playing this show 45 years ago Bruce .... Thank God it was preserved for posterity
What a great show, haven't listened to this one for quite some time and it's so nice to hear TR and Saint in superb quality.
Have to say, though, that some of the songs, I prefer the versions from the 1st UK show. Like Tenth, and Saint. Don't think I ever had a bootleg of the first show, and it's been THE BTR show I've listened to since its release 15 years ago. There's a certain nervous electricity to the performance that is almost tangible, and the boys are good enough to let the musical performance benefit rather than suffer from it. Tenth, for example, is just that much more frenzied that on this new release, the opening is just explosive. I also prefer the breakdown on Saint before Bruce and Steve start duelling, Bruce playing those "singing whale sounds" on the guitar that he seems to have utilised a bit in his playing early on.
Not saying the 24.11. show is just OK, because it's not, far from it - it's fantastic, I love that it's been released. I just now can compare the two shows, and realised how good the 1st show actually.
By the way... Was the first Hammersmith show the first time Bruce and the boys played outside of the US?
TENTH AVENUE!!!!!! "Get it up now, get DOWN!!!!"
Just started listening and I find the sound quality superb.
My goodness, For You is just beautiful.
OK, listened to almost all and the sound is amazing especially given that it's from 45 years ago. Thing that really hits me is the drums, they are loud and I love that.
Haven't listened yet, but I'm excited to later today. First impression: that's A LOT of covers!
Another great First Friday night.
Once again, I am glad that I came to bootlegs late (not until the internet age) and then mainly just the best sounding ones, such as the radio broadcasts, IEM matrix type releases, or best quality soundboards.
This is all completely new to me. And completely fantastic.
Sha La La... never heard this song, either Bruce's version or the original (not even sure who did it TBH). Tremendous... Clarence is insane, there are some cracker guitar licks.
Up to Rosie so far, so this crazy ass encore is still to go. My Al Bundy avatar has never been more appropriate.... let's rock.
What's fascinating is the mileage between this, and Letter to You. What a journey he has made.
I want that woolly hat for Christmas. C'mon Santa...🦌
Where is @wout ?
So I'm only four songs in. And I'm not one of those "everything was better before Born in the USA!" people--not by a long shot. I love the later tours, in no small part because of the expanded repertoire.
But damn are they on fire here.
For my money, "Thunder Road" is easily one of his three greatest songs ever, and if someone wants to say it's his very best, I shall not object. But some of his performances of it since the reunion have often felt like fan service more than a heartfelt thing. Not so with this performance at all at all at all.
"Tenth Avenue" feels like it's been shot out of a cannon and it's delightful to hear the introduction not expanded to 15 minutes.
No matter how many times I hear "Lost in the Flood" live, it takes me by surprise every time. I'm sure it was the first time many--most?--of the people in the audience were hearing it (or any pre-Born to Run material) but surely it knocked their socks off. Also, during one of the ritardandos I swear I could hear Jim Steinman and Marvin Lee Aday get hit with a lightning bolt of inspiration.
Such a great addition.
Did he wear that same woolly hat both nights, or is the cover shot actually from the first night?
PRETTY FLAMINGO!
Sorry, been a while...
Amazing...so much more to say, but now listening. Magic in the night.
Yeah, that is definitely one of the best covers of the Archive series this year.
I absolutely love this cover, by the way.
So excited! I'm going to download it as soon as I get home.